Volume Three
False Novel Failure
Human Nature
Surprising
spring fountains up natural, early pubertal generational perennial or late April,
a sap-rising selfconsciousness rubbed off on the palm, the fresh wild garlic
leaves the rich and stinging smell of self, from pleasuring awakening to guilt
and sin. Think thought and tap it, form a habit, or abstain from stain and shameful
yet unwitnessed unenlightened exhibitions of fitness, under lilac in the alley
down the lane, unzipped. No love for other either in the private part of soul in
solipsism’s endogenous burgeon of healthy young male primates or, more social,
the surreal grotesquery of dirty jokes that figure outsize organs, in an atmosphere
of pigswill and unloving pokes, the foul precursors of a porno tone. All this
will be revoked when I hear Susan call my name: I turn and see her smile and
wave while passing on into cool shade, stone glass-steel arcade. So soon she
had become my muse and dream soul’s ruler, snow white peak, clear pool, a cause
of poetry, a blond girl from school, or Petrarch’s Laura, a youth’s mistake. A
surprisingly pure spring founts altruistic desires to make absolute gift of
what I had millions and millions of. That
she would never take from me what I had plenty of, the seed of love. Susan W.
Snow White. South West. A Soft Wet aura. I tugged her blond hair once on the
top deck of the Dunscar bus.
Mutual Favour
A
head can’t take it like the thighs’ and haunches’ musculature can, and your
star-boarder calls it Rape and almost suffocates. Nought to give. You’re just
taken in hand or have come on the porch by mistake, and fail or not to
reach communion in conclusion roughly
mutual, with damp flannel nicely handled. Linger on the scoop of palm and pool
and hand and poem, sweet springs fanny adams, walk it out ye that are young
with many misses, many madams, take each other in the grots and caverns, shagged
with horrid shades. There is a vale I love has shady sides of crumbled shale.
Whole days will pass. There’s always pleasure for a lad who has his phallus being
worshipped by a damsel in a dwelling, and whole nights are spent in mulch. I
took my broken weakness to the boggart’s forge by lyric well to have it
tempered, fixed, amended and converted, weakness into strength. Prick Rose.
Make sure the door is closed. Would you not like to see my emptiness? With this
exposed, with that imposed, let’s slip cup’s lip, entangle in convolvulus and film
the stars, get roughly mangled, lie in still dead silence. I shall soon revive.
Meanwhile the purple drains to dusky-coloured sorts of dot, and blotches up on
blaze head weep sore spots. And I was sweeping empty chambers with a brush.
Rain blasts my face. Stone hills are getting hammered. Free gifts she gives me.
These have me enamoured. She might draw me with her mouth out of my sleep.
Sin a Miasma
And
if there is an almost desperately pure desire to give, the self and seed to
whom you love in love, in verse your words to whomsoever, or in prayer to god,
and gift impulse meets with rebuff, unwanted and return to sender, wrong
address, where then can you spill or dump or generally waste your stuff? The
drain, the fire or the recycling centre? Tip it, littering the woods, unhappy
lover. God though, who refuses love? Ask me another. Head off on a bender. Give
your money and an undertaking. I gave what I took. That’s a relief. Who gives a
fuck? Whose pleasure were you faking? Must have spent a mint. Weak at the knees
for sports in shorts, I found faint glory part absurd. And there I made my bed
and lay to dream a wild wet sea or mop the step. I’ll never stalk the tomcat
streets and nor desire to drown in fluff and feather down nor grind to dust but
find and found some better ground. For there is sin; there is miasma; there’s miasmic
sin. Maybe the monotheist moralists condensed common experience. There’s
something queachy-queasy in the marshes where we sink. Hetero-sodomy! In verse,
through verse, the perverse inclinations grip as vice. Take my advice: Refuse
my spout. I am voracious now, and can’t be nice. Abhor me for these marshes
stink. My thoughts ran somewhat anal when I saw her naked buttocks as she
leaned over the sink. Her cheeks shone rosy pink.
A Miasma Sin
I’ve
been loading a container with lubricious language all day, and I’m tired, of
being quagged in the miasma. With certain solvents the quag sticks less, miasma
looses hold. It isn’t really sin as shames me but stupidity, incompetence and
ignorance. But today this is in the past. The old miasma cannot last. The new
one is composed of dreadful ones, les
cons, with a primitive lust for political torture, and a target list. And
I’m sick of reading it’s my like who are to blame for the corruption that has
come to pass. I was only thirteen when the nineteen sixties came and went in
one decade, as though our moral standards had decayed. In February nineteen
forty-seven snowfalls covered the nursing home. I freely supped my spoons of orange
juice or cod liver oil. I shan’t forget the cupboard they were kept in. Rarely
have I ever made in fact the beds I’ve slept in. Call me crap or call me fool, it
was The Pocket Oxford Dictionary I used as porn at school. Seduce and
prostitute and masturbate, penis, vagina too. I took instruction in the quiet
hours from The Hygiene of Sex. After a varying time the climax of local and
general pleasurable excitation occurs, with the completion of the act which is,
in the male, the ejaculation in rhythmic thrusts of jets of warm seminal fluid
into the vagina, and in both, the sensation
which is called orgasm.
No
More Loose Talk
That
could be something to look forward to, I’d come to think as I’d undress. Now I
look back. My writing-fingers ache. The False Novel has lost its way. The month
today is May. The oaks always emerge in leaf before the ashes do. I’ve suffered soaks and splashes too. The view
from Foster Clough, a constant stay, is ever new. I know The False Novel has
turned out to be formless now; that I have prematurely come to find this Loose
Talk closure in not composition but composure. Wouldn’t you? I shan’t embark
upon the tale I’d meant to tell herein about the Seventeen Nights of Lust that
made and marred my marriage, in which sheer confession must be stained by self-defence.
There is a fuzzy boundary twixt lust and love. In matters of desire it is far
better or more blessed to desire to give than to desire to take. And we can
bake a sugar cake that I can take for all the boys to see. And the desire to
give feels virtuous yet cannot guarantee any degree of pleasure taken. The lust
to be given remains miasmic. This is comic. This is tragic. Certain poets are
in love with ideal readers whom they never satisfy. Neither do I. Forget
frustrated generosity. Work on poetic image magic. Shun loose talk. Shut up
about the view. If I love you, what’s that to do with you? And please do not believe
a word I say unless it happens to be true. Can I buy you a drink?
Afterword Afterwards
I thought I
had an afterword for the loose verse of the False Novel, walking back home from
Lane Ends, October two thousand and six, and now I’m trying to remember what it
was or is. There’s a goodly half-moon lighting clouds in the sky. I don’t know
why I’m writing this, but it was up by Little Moor, over Dod Naze, I thought of
something to be said. Now I remember what it was. I have disparaged Sigmund
Freud in writing, yet my triad sperm-words-prayer does seem indebted unto him.
And in my twenties I read, in translation, his Collected Works. It was the
structure of the theory annoys and irks, and not the basing mind in sex.
Vexation’s gripe had grabbed me next when Freudianism leant support to a
determinist account of psychic outcomes of abuse. It had been in the nineteen
eighties that my wife had swallowed the miasma whole and, bent on seeking some
event that might have rent her soul had had me looking in my own puddled hole,
and I was shocked to find behind and to my own obsessive imagery there
plausibly might be a key----had I been sexually abused as a child, and was I in
denial if I flatly denied it? I learned a lot about poetic image, but it took
some time for me to work my way through, until I knew that for me the whole
miasma is simply not true. I thought the work worth doing, so I pass it on to
you.
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